RAP5/3/7 Romeo Rondeau "Turnpike Cruiser"

[Carey Carlan]

Romeo Rondeau sums it up himself in the closing line of his liner notes,
"We really wanted the cut to sound true to west coast blues and still have
the clarity of modern recording techniques."

This is an open recording without a lot of processing. It feels like an
exceptionally good live recording rather than studio work.

[Romeo Rondeau]

Thanks for the kind words, Carey.

"Carey Carlan" <gulfjoe@hotmail.com> wrote in message
news:Xns93D9BC787595Egulfjoehotmailcom@198.99.146. 10...
> Romeo Rondeau sums it up himself in the closing line of his liner notes,
> "We really wanted the cut to sound true to west coast blues and still have
> the clarity of modern recording techniques."
>
> This is an open recording without a lot of processing. It feels like an
> exceptionally good live recording rather than studio work.

[Roger W. Norman]

Then you need to add Lucky Man Clark from Guido to your list. A good read
on how to make some disparate sessions seem like full ones. I believe it
has to do with the openess of the recording! <g>

--


Roger W. Norman
SirMusic Studio
Purchase your copy of the Fifth of RAP CD set at www.recaudiopro.net. See
how far $20 really goes.




"Carey Carlan" <gulfjoe@hotmail.com> wrote in message
news:Xns93D9BC787595Egulfjoehotmailcom@198.99.146. 10...
> Romeo Rondeau sums it up himself in the closing line of his liner notes,
> "We really wanted the cut to sound true to west coast blues and still have
> the clarity of modern recording techniques."
>
> This is an open recording without a lot of processing. It feels like an
> exceptionally good live recording rather than studio work.

[Carey Carlan]

"Roger W. Norman" <rnorman@starpower.net> wrote in
news:bhojsf$3gh$1@bob.news.rcn.net:

> Then you need to add Lucky Man Clark from Guido to your list. A good
> read on how to make some disparate sessions seem like full ones. I
> believe it has to do with the openess of the recording! <g>

Help me out here, Norman. I know Guido release a CD by that name. I could
swear I ordered one, but I don't have it so I must not have. Did it come
with "our style" liner notes? Or is your info from some other source?

[Hal Laurent]

"Carey Carlan" <gulfjoe@hotmail.com> wrote in message
news:Xns93DAB2637893Egulfjoehotmailcom@198.99.146. 10...
> "Roger W. Norman" <rnorman@starpower.net> wrote in
> news:bhojsf$3gh$1@bob.news.rcn.net:
>
> > Then you need to add Lucky Man Clark from Guido to your list. A good
> > read on how to make some disparate sessions seem like full ones. I
> > believe it has to do with the openess of the recording! <g>
>
> Help me out here, Norman. I know Guido release a CD by that name. I
could
> swear I ordered one, but I don't have it so I must not have. Did it come
> with "our style" liner notes? Or is your info from some other source?

(I'm not Norman, but...) It's cut 20 from disk 1 of Fifth of Rap.

Hal Laurent
Baltimore

[Carey Carlan]

"Hal Laurent" <laurent@charm.net> wrote in
news:9zS%a.463$1E2.15342@news.abs.net:

>
> "Carey Carlan" <gulfjoe@hotmail.com> wrote in message
> news:Xns93DAB2637893Egulfjoehotmailcom@198.99.146. 10...
>> "Roger W. Norman" <rnorman@starpower.net> wrote in
>> news:bhojsf$3gh$1@bob.news.rcn.net:
>>
>> > Then you need to add Lucky Man Clark from Guido to your list. A
>> > good read on how to make some disparate sessions seem like full
>> > ones. I believe it has to do with the openess of the recording!
>> > <g>
>>
>> Help me out here, Norman. I know Guido release a CD by that name. I
> could
>> swear I ordered one, but I don't have it so I must not have. Did it
>> come with "our style" liner notes? Or is your info from some other
>> source?
>
> (I'm not Norman, but...) It's cut 20 from disk 1 of Fifth of Rap.

Thanks. Disk 1 will be last on my list, just because disk 1 is always
first. Anyone else feel free to beat me to it.

[David Morgan \(MAMS\)]

"Carey Carlan" <gulfjoe@hotmail.com> wrote in message news:Xns93DAB4E572E6Fgulfjoehotmailcom@198.99.146. 10...
> "Hal Laurent" <laurent@charm.net> wrote in
> news:9zS%a.463$1E2.15342@news.abs.net:
>
> >
> > "Carey Carlan" <gulfjoe@hotmail.com> wrote in message
> > news:Xns93DAB2637893Egulfjoehotmailcom@198.99.146. 10...
> >> "Roger W. Norman" <rnorman@starpower.net> wrote in
> >> news:bhojsf$3gh$1@bob.news.rcn.net:
> >>
> >> > Then you need to add Lucky Man Clark from Guido to your list. A
> >> > good read on how to make some disparate sessions seem like full
> >> > ones. I believe it has to do with the openess of the recording!
> >> > <g>
> >>
> >> Help me out here, Norman. I know Guido release a CD by that name. I
> > could
> >> swear I ordered one, but I don't have it so I must not have. Did it
> >> come with "our style" liner notes? Or is your info from some other
> >> source?
> >
> > (I'm not Norman, but...) It's cut 20 from disk 1 of Fifth of Rap.
>
> Thanks. Disk 1 will be last on my list, just because disk 1 is always
> first. Anyone else feel free to beat me to it.

No one here can ever say that you didn't do your share to make these
discs serve their purpose. Tip o'tha hat to ya...

DM

[Romeo Rondeau]

Are you saying that my recording sounds "disparate" Roger?

"Roger W. Norman" <rnorman@starpower.net> wrote in message
news:bhojsf$3gh$1@bob.news.rcn.net...
> Then you need to add Lucky Man Clark from Guido to your list. A good read
> on how to make some disparate sessions seem like full ones. I believe it
> has to do with the openess of the recording! <g>
>
> --
>
>
> Roger W. Norman
> SirMusic Studio
> Purchase your copy of the Fifth of RAP CD set at www.recaudiopro.net. See
> how far $20 really goes.
>
>
>
>
> "Carey Carlan" <gulfjoe@hotmail.com> wrote in message
> news:Xns93D9BC787595Egulfjoehotmailcom@198.99.146. 10...
> > Romeo Rondeau sums it up himself in the closing line of his liner notes,
> > "We really wanted the cut to sound true to west coast blues and still
have
> > the clarity of modern recording techniques."
> >
> > This is an open recording without a lot of processing. It feels like an
> > exceptionally good live recording rather than studio work.
>
>